Here are my thoughts and ideas behind the Alphabet-F ring
My initial concept for this piece was meant to be more ridge, more clean lines to connect the Alphabet-F. Along the way, I felt I wanted to take this opportunity to try out something more incline towards the randomness of things rather the more predictable pattern of creating the Alphabet series.
In this Alphabet-F ring, it does evolve from the Alphabet-E ring, which I first introduce the folding surface style. This piece is different from the E ring is because of the uneven slope, guided by the unparalleled lines to form the face of F.
Folding style of the face
This in result in series of uneven surface reflecting off different intensity of light, bringing the curious beholder to ask the question of what is the meaning behind these mysterious geometries.
The side of the Alphabet-F ring design
I’m always careful not to overwhelm the ring side design and also not to deviate too far from the principle of the face. I want it to suggest the shape of F and yet in harmonic compliment with each other. With this idea in mind, I cutted deep into the front face from left to the upper right so this result with a slant recess to the supposily flat surface.
The subtle side curve
You maybe assume the side recess of the ring to be just an ordinary straight cut right into the cold metal but, this is not how I want to end the story in designing this ring. I got this idea to have this gradient cast of light into the recess, so I made it to be a curve recess into the metal, like a disk that crash right into it, only to be half way through stuck on the surface and fall off.
The bridge that form the Alphabet-F ring
An arch metal bar was erect over the slant recess like a bridge over a river to form the backbone of the F. When view at an angle with the side and the face together, you can see how these two facet truly blend in harmony.